The Arawakan achievements included construction of ceremonial ball parks whose boundaries were marked by upright stone dolmens, development of a universal language, and creation of a complicated religious cosmology. There was a hierarchy of deities who inhabited the sky; Yocahu was the supreme Creator. Other mythological figures were the gods Zemi and Maboya. The zemis, a god of both sexes, were represented by icons in the form of human and animal figures, and collars made of wood, stone, bones, and human remains. They therefore served cassava manioc bread as well as beverages and tobacco to their zemis as propitiatory offerings. Maboyas , on the other hand, was a nocturnal deity who destroyed the crops and was feared by all the natives, to the extent that elaborate sacrifices were offered to placate him.
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Access options available:. Portraying the Other: Puerto Rican Images in Two American Photographic Collections Jorge Duany bio Until recently, few anthropologists approached photographs as primary sources of historical and ethnographic documentation on the peoples they studied. Apart from Margaret Mead, Gregory Bateson, and other pioneers in the discipline, most ethnographers used visual images merely as aides to memory, similar to written notes, or as supplementary illustrations of their fieldwork, especially during the early stages Collier and Collier, Hockings, Ruby. However, visual anthropology has recently experienced substantial growth, particularly as a result of increased access to video and film technologies. Moreover, a growing number of critical works has examined the visual representation of non-Western cultures from the mid-nineteenth to the early twentieth centuries Banks and Morphy, Devereaux and Hillman, Edwards, Scherer. Much of this scholarship has focused on photographic portrayals of other peoples through world's fairs Breitbart; Brown; Rydell , museum exhibits Banta and Hinsley , tourist postcards Alloula; Geary and Webb , and popular magazines Lutz and Collins. Researchers have increasingly turned to the systematic study of photographic collections to unravel European and American colonial discourses. Collins Reading show that this publication has tended to depict the cultures of Africa, Asia, and Latin [End Page ] America as exotic, idealized, naturalized, ritualized, and sexualized others. Since , the magazine has represented non-Western peoples predominantly as male, middle-class, young or middle-aged, rural, and dark-skinned noble savages.
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